German Film Museum in Frankfurt/Main enforced
presentation of the Riefenstahl
-film „Olympia“ with police violence
(12.01.2004)

 

Press Statement

January 10th 2004, several persons, amongst them also members of the Förderverein Roma, tried to prevent the presentation of the Riefenstahl film “Olympia” in the German Film Museum. With a banner and the distribution of information sheets in front of the cinema´s entrance they demonstrated against the lie, that Riefenstahl cooperated without intention and internal conviction with the nazis.

The passive resistance of the opponents was besieged by mebers of the audience, who obviously longed for watching the film. The heading of the German Film Museum decided in the end to abide by the uncritical reception of a definite nazi director and enforced the showing of the film with police power. Several members of the demonstration are going to be sentenced for their involvement to prevent the denial of nazi crimes and nazi criminals.

Background:

From January 2nd to January 10th 2004 the German Film Museum presented “In memoriam Leni Riefenstahl” with several films. In the announcement is writtten:

“About Germany´s most hatred, most adored and most imitated director everything seems to be said. In January we will show amongst others one of Leni Riefenstahl´s two main works and a documentary film about her life and work.” The documentary film from 1993 was “especially as a self testimonial of Riefenstahl, who reports here fully about herself and her work, of high value.”

With this event the German Film Museum belongs to those, who, since several years, as Leni Riefenstahl herself, try to deny her close connection to the nazi dictatorship.

Her special position Leni Riefenstahl used for her film “Tiefland” (1942). For this film the Riefenstahl-Film GmbH asked for Sinti and Romany people from the nazi camps Max Glahn at Salzburg and Marzahn. They were used as extras and supernumeraries without being paid. After their transportation back to the camps, these people were deported to concentration camps, especially Auschwitz, a few months after the end of the shooting. Only a few people returned from there.

Still in 2002 Riefenstahl declared in a interview with a Frankfurt newspaper:

“We have seen all of the gipsies, who played in the film Tiefland, after the end of the war. Nothing happened to one of them.”

Against this representation, declared against better knowledge, a surviving sintezza prosecuted and forced Riefenstahl to announce a declaration of omission.

Riefenstahl is different to the many opportunists, who dealed with the nazi regime because of their career. She used the nazi camp system directtly. This doing is a proof of criminal energy. To hush this up, Leni Riefenstahl played down and denied the forced labour and the later assassination of her “Zigeuner-extras”. She tried to take away from these men and women, who do not even have a grave, their place in memory, too.
 

Förderverein Roma e.V.,
Frankfurt am Main, 12.01.2004